Anthony Maras clearly has a thing for pressure cookers. After the relentless intensity of Hotel Mumbai, his second feature, Pressure, once again traps us inside a room where every decision feels like it could alter   ...

Some movies strive for prestige, some movies chase awards, and some movies look you dead in the eye, hoist a glowing Power Sword toward the heavens, and yell, "By the power of Grayskull!" before launching   ...

There’s something instantly magnetic about the self-titled debut from Kidd Nostalgia. From the very first beat, the EP locks into a late-night atmosphere that feels equal parts disco glow, rooftop party, and solo city drive at ...

Christian Dillingham's As It Relates To Now carries that quiet confidence you find in the finest contemporary jazz albums. Rather than flaunting technical skills just to impress, Dillingham builds the record around  ...

Dinner parties are supposed to bring people closer together. In The Invite, they might just destroy everything instead. A24 has released the trailer and  ...

Demons don't need to be summoned—they've been here all along. Michael Pickle's debut feature takes familiar horror ingredients—ghosts, possession, teenage isolation—and throws them together without sanding off the rough ...

There’s something beautifully ruined about hearing Draconian again in full funeral bloom. In Somnolent Ruin doesn’t arrive so much as seep through the walls, carrying candle smoke, graveyard ...

It’s in the voiceover upon first seeing Hill House; that’s what always sends me over the edge. “It’s staring at me,” says Eleanor Lance (Julie Harris) and, indeed, the house is staring at her. This is the psychological ...