In Theaters and Digital

Anaconda (2025) plays like cracking open your old Trapper Keeper and finding a chaotic shrine to your misspent youth: stickers peeling at the edges, detention slips you definitely earned, and a half‑melted Jolly Rancher fused to a math worksheet you never finished. It’s  ...

Sequels in the Hallmark‑Mystery universe can wobble — too cute, too safe, too “we solved one murder so now we’re basically CSI” — but Grilling Season tightens the recipe instead of watering it down. Nikki DeLoach returns as Goldy Berry with even more grounded, sardonic   ...

Zak Hilditch’s We Bury the Dead crawls into the zombie genre with more than just a craving for human brains. It’s dragging grief, guilt, love, and an Australian sense of place, while somehow managing to make all that metaphorical baggage look easy. In a movie world where  ...

By the time Terminal Descent shows up, the Crossword Mysteries franchise is basically that friend who’s really good at one thing and refuses to stop doing it — and honestly, good for them. This fourth entry swaps art galleries and magicians for blinking servers and tech   ...

Amy Berg’s It’s Never Over, Jeff Buckley plays like someone finally sat you down and said, “Okay, here’s the real story — not the myth, not the Tumblr version, the human one.” And honestly, it works. You can stream it on HBO / Max, which feels about right for a documentary   ...

There’s something deeply satisfying about a mystery that starts with a crossword puzzle found on a dead guy. It’s so wonderfully specific—like the killer is taunting the New York Times Sunday edition. And that’s exactly the energy A Puzzle to Die For brings to the table: cozy crime    ...

There’s a particular electricity to the early ’90s that you can’t fake — that mix of restlessness, sincerity, and cigarette‑smudged ambition that lived in every club, every rehearsal space, every half‑finished song. Amy Scott’s documentary Counting Crows: Have You Seen Me  ...

If the first Crossword Mysteries movie was about proving Tess Harper could solve a crime with nothing but a pencil and a pattern‑obsessed brain, the second film, Proposing Murder, is about showing she can do it while juggling emotional chaos, romantic expectations, and a   ...

Directed by Nicholas Michael Jacobs—whose works include Night (2019), Urban Fears (2019), Tales from Six Feet Under (2020), and Genevieve (2021)—CAPA Ghostbusters: Director’s Cut feels like a full-circle moment for the filmmaker, and that’s pretty damn   ...

The film actually kicks off with the “Big Guy” gag — a classic Bikini Bottom hustle where SpongeBob tries (and fails) to convince the universe he’s finally grown into someone who can handle capital‑A Adventure. It’s goofy, it’s fast, it’s proudly unserious, and it immediately   ...