"Yes, this is my second life." You Only Live Twice, in which director Lewis Gilbert takes the helm for the first of three Bond films [The Spy Who Loved Me (1977) and Moonraker (1979)], is where extravagance and the need for a cinematic event hijacks spy-hard, cold war excellence and, thanks to ...

It comes as no surprise that Warner’s have delivered a boxset of all 7 original Elm Street flicks within a year of releasing the first film in various releases last year. The double-dipping trickery never ends, does it? In fact, all the studios seem to be leaning into the spoon-feeding technique with franchise  ...

“My dear girl, don't flatter yourself. What I did this evening was for King and country. You don't think it gave me any pleasure, do you?” Thunderball, in which director Terence Young returns to the world of 007, is a bigger and badder version of James Bond than anyone expected in 1965 ...

Autumn, 1981. Bruce Springsteen is 31, fresh off an exhausting tour for his The River album, and everyone at Columbia Records is begging him to get back in the studio and crank out more hits. But Bruce? He’s not feeling it. Burned out and restless, he heads home to   ...

Two plumbers are forced to save the residents of a building when they discover a killer creature in the pipes!  Holy Hell, yes! Where has this film been all of my life?! It seems in Canada, where the horror comedy hybrid is alive and well in the hands of director ...

“My dear girl, there are some things that just aren't done, such as drinking Dom Perignon '53 above the temperature of 38 degrees Fahrenheit. That's just as bad as listening to the Beatles without earmuffs!” There’s no denying that by 1963 ...

In which the Universal Monsters film series moves away from the silent era and legitimately begins!  Pre-Code Horror doesn’t get any better than here with Producer Carl Laemmle’s Dracula, a film which is often overlooked by some  ...

Sincerely Saul is a madhouse of modern day dilemmas as one 27-year-old virgin vows to end it all in this grotesque, but painfully bleak comedy, which tackles existential despair, offering sharp insights into modern masculinity and human connection  ...