If you came up in the era of VHS surf tapes, burned CDs, and waiting three months for a magazine to land in the mailbox, watching First Chapter (2006), Thrills, Spills, and Whatnot (2011 alt cut), and Chapter 11 (2017) back-to-back feels like seeing the internet slam into  ...

Arriving in UK and Irish cinemas from 27th February as part of Tull Stories’ Joy of Cinema strand, The Spin is a breezy, big-hearted road trip comedy that wears its love of music proudly on its sleeve. Directed by Michael Head, the film swaps the grit of his earlier work for something   ...

If you’ve ever stared at the ceiling at 2 a.m., wondering what your life might look like if you’d taken that job, kissed that person, or told your dad that his diner menu needs more than beige food… congratulations, you’re already spiritually aligned with The   ...

Falling Together is one of those Hallmark fall-season comfort watches that feels like slipping into a sweater you forgot you owned—soft, familiar, and maybe a little stretched out in places. The film follows Natalie Calder (Ashley Williams), a relentlessly sunny admissions    ...

There are films that influence horror, films that shape horror, and then there’s Blood Feast, which doesn’t so much “shape” anything as it kicks down the door of the American cinematic psyche wearing a butcher’s apron and a grin that says, “You paid 75 cents for this, sucker  ...

Some films whisper their intentions, films that seduce you with craft, and then there’s Scum of the Earth!, which grabs you by the collar like a chain‑smoking uncle at a family reunion and hisses, “Kid, lemme tell you how the world really works.” This is Herschell Gordon Lewis before the gore geysers ...

Crime 101 is both ageless and of the moment: a sleek, intoxicating knockout from writer-director Bart Layton, who pulls source material from Don Winslow. Layton, best known for his merging of fact and fiction in American Animals and The Imposter, goes full-on   ...

“I have had it with these monkey-fighting snakes on this Monday-to-Friday plane!” Oh, we are not playing this one straight. Buckle up. When I borrowed that gloriously neutered TV edit line for the opener, you knew exactly what altitude we were flying at. This is not prestige cinema. This is cabin-pressure  ...