Breaking Glass Pictures is inviting horror fans to step into the shadows with the newly released trailer and poster for Dark Distortion, a chilling new supernatural thriller heading your way this spring. Arriving on VOD March 3, 2026, Dark Distortion is written and directed by Joseph Herrera and ...
It Was Always You is one of those Hallmark films that sneaks up on you—in the best way—and reminds you why this network has such a loyal fan base. Director Michael Robison leans into the emotional warmth of the story without ever letting it get syrupy, giving ...
Hallmark’s 2026 movie Missing the Boat closes out the Winter Escape lineup with exactly the kind of breezy, sun‑kissed charm you want from a finale. It’s light on its feet, warm in tone, and anchored by two leads who know how to make a simple premise feel ...
They’re gross. They’re rude. They’re back — and they’ve never looked slimier. There are bad movies, and then there are movies that feel like they crawled out of a damp VHS bargain bin at 2 a.m., clutching a melted Jolly Rancher and daring you to look away. The Garbage Pail Kids Movie (1987) is that ...
Imagine: you linger in the mall long past closing, drifting under half-dimmed fluorescent lights while the smells of popcorn salt and pretzel butter hang in the air. Most of the stores are gated, the escalators still, the arcade sign flickering at the end of the corridor—but in ...
Sweet Carolina is another one of those Hallmark movies that sneaks up on you. You sit down expecting a cozy little small‑town romance with a side of Lacey Chabert charm, and suddenly you’re knee‑deep in feelings you did not schedule for a Saturday ...
Invited by David Lynch to dream up a low-budget genre film, Michael Almereyda answered with Nadja, a vampire movie that feels less like a revival than a séance. Recombining figures from Bram Stoker and turning them loose in early-’90s New York, Almereyda makes a gothic ...
Watching Eyes Wide Shut now feels less like revisiting a late-’90s curiosity and more like opening a time capsule that somehow knew the future would be uneasy. On its surface, it’s a slow, hypnotic marital psychodrama; underneath, it’s a film about power, access, and the things polite society ...