Welcome to the Void. Where riffs don’t just hit—they fracture space. Where rhythm mutates into something almost sentient. Where melody flickers like distant signals from somewhere you’re not sure you can return from. Celluloid Dissonance is for listeners who don’t just hear music—they see it.
Fatal’s Return From Exile doesn’t waste time dressing itself up as something grander than it is. This is death/thrash with dirt under its nails, built on speed, bite, and the kind of riff-first aggression that feels ...
Read more: MUSIC - Dirt Under Its Nails: Fatal's Return From Exile (2026)
Most brutal death metal albums are built for impact. They hit hard, keep hitting harder, and dare you to survive the ride. The Dark Ascension Of The Supreme Prometheus Gods has all of that, but Drain of Impurity ...
Solvorn hasn't released a debut—they've detonated the fucking thing. Echoes of Godless Light crashes in like a meteor, dragging melodic death metal through broken glass before setting the whole damn genre ...
Read more: MUSIC - An Anvil from Orbit: Solvorn’s Echoes of Godless Light (2026)
Seven years is a long damn time to disappear in technical death metal. Bands either fade into irrelevance or return sounding like a sterile version of themselves, obsessed with proving how many notes they ...
Read more: Dimensional Tears: Decrepit Birth's Axis Mundi (2017)
A low hum emerges from the void—distant, mechanical, almost celestial. It swells into a vast orchestral surge, as if some unseen force is breathing life into the cosmos itself. Flickers of melody spiral like ...
Read more: MUSIC - Permanent Residents: Warning’s Rituals of Shame (2026)
A low hum emerges from the void—distant, mechanical, almost celestial. It swells into a vast orchestral surge, as if some unseen force is breathing life into the cosmos itself. Flickers of melody spiral like ...
Read more: MUSIC - Legions Rise As One: Circle of Blood’s In Praise of Darkness (2026)
I knew I was in trouble about two minutes into Old Gods Awaken. That stupid grin hit my face—the same one I had as a thirteen-year-old sneaking downstairs after my parents went to bed to watch Deathstalker. The ...
Read more: MUSIC - Drunken Bastards Sing: Atavistia's Old Gods Awaken (2026)
Colorado has turned into a goddamn monster factory. Denver has been cranking out some of the most adventurous extreme metal on the planet over the past decade. Blood Incantation tore through death metal and imbued ...
Read more: MUSIC - A Coffin With Speakers: Stormkeep's The Nocturnes of Iswylm (2026)
Seven years after Obscene Majesty, I expected Devourment to return eventually. What I didn't expect was a three-song EP that sounds this vicious. Pious Impiety isn't some nostalgic victory lap from one of Slam's ...
Read more: Seven Years Later And Still Hungry: Devourment’s Pious Impiety (2026)
I've always thought Venom's biggest strength was that they never seemed to care what anyone expected from them. Plenty of bands from their era either mellowed out, cleaned themselves up, or turned into museum ...
Read more: Still Hungry for Souls: Venom’s Into Oblivion (2026)