In Theaters and Digital

By the Power of Grayskull, this fucking matters! Before cinematic universes required flowcharts, Reddit theories, and four hours of homework, there was Eternia: a glorious fever dream where barbarians, robots, sorceresses, bird people ...

There is something wonderfully unhinged about putting Judy Davis, Miriam Margolyes, and Jacki Weaver together, dressing them as nuns, throwing a kid into their orbit, and then sending the whole damn operation  ...

Well, praise the Lord and pass the murder weapon. Jesus I Was Evil introduces us to Amber and Martha, two missionaries who apparently skipped a couple of pages between “love thy neighbor” and “leave a trail of  ...

There’s waking up on the wrong side of the bed, and then there’s waking up bleeding inside a moving camper with no goddamn idea where you are, how you got there, or whether the stranger behind the wheel is saving your  ...

David Robert Mitchell’s The End of Oak Street is the kind of late-summer popcorn movie I thought Hollywood had forgotten how to make: big, weird, funny, occasionally terrifying, and completely committed to showing  ...

There is something wonderfully unhinged about putting Judy Davis, Miriam Margolyes, and Jacki Weaver together, dressing them as nuns, throwing a kid into their orbit, and then sending the whole damn operation  ...

Set in a dystopian America, where governmental control and surveillance over its citizens have experienced a significant uptick, authorities have set aside a 12-hour period each year where all crime - including murder  ...

Sometimes a movie knows exactly what the hell it is, plants both feet in the mud, and starts swinging. Alien Storm is that movie. Directed by Adam Werth and produced by Michael and Sonny Mahal, this lean, 74-minute blast of sci-fi ...

Somewhere in my viewing of “Chum,” I was no longer watching a shark movie but rather a movie trying with everything it had to be four movies at once. Jonathan Zuck’s Maltese-set thriller starring Alice Eve, Nick Biadon, Ben Edlin  ...

Let's start with that salacious title. Boy, does that ever set a tone! And yes, the film is every bit as salacious as it implies. Then again, Gregg Araki (The Living End) has never been a filmmaker interested in playing things safe ...