Razor-sharp. This essentially describes the wit of Clue and this new 2023 4K upgrade of the classic comedy. It’s the movie with three different endings, remember? And, if you remember that, you also remember that you had to go to different theaters to see the different endings. It was an ...
Well, the good news with Clown in a Cornfield is that it doesn’t suck. It’s absolutely a lot of fun and full of enough meta-themed awareness to be clever in some parts. While I think a lot of horror fans might sleep on the movie, I am pleased to let you know that cornfields, clowns, and small towns ...
Rumor has it that when the John Carpenter and Debrah Hill penned (and, once again, Michael Myers-less) script for Halloween 4 was turned down, the duo promptly sold their rights to all things Halloween to producer Moustapha Akkad. Whether out of anger or suave financial smarts, the move meant ...
"Yes, this is my second life." You Only Live Twice, in which director Lewis Gilbert takes the helm for the first of three Bond films [The Spy Who Loved Me (1977) and Moonraker (1979)], is where extravagance and the need for a cinematic event hijacks spy-hard, cold war excellence and, thanks to ...
It’s the most wonderful time of the year! …Unless you’re traveling through LAX on Christmas Eve when a team of military contractors are planning on releasing a bioweapon that can kill thousands, then, maybe it isn’t. The Netflix original Carry-On is touting itself as 2024’s ...
It comes as no surprise that Warner’s have delivered a boxset of all 7 original Elm Street flicks within a year of releasing the first film in various releases last year. The double-dipping trickery never ends, does it? In fact, all the studios seem to be leaning into the spoon-feeding technique with franchise ...
“My dear girl, don't flatter yourself. What I did this evening was for King and country. You don't think it gave me any pleasure, do you?” Thunderball, in which director Terence Young returns to the world of 007, is a bigger and badder version of James Bond than anyone expected in 1965 ...
“My dear girl, there are some things that just aren't done, such as drinking Dom Perignon '53 above the temperature of 38 degrees Fahrenheit. That's just as bad as listening to the Beatles without earmuffs!” There’s no denying that by 1963 ...
“Once more into the breach, dear friends.” From the deadly opening minutes as a familiar-looking spy is killed to the brutal, claustrophobic brawl aboard the Orient Express, the second James Bond film - while longer - is a tightly-wound vehicle of espionage and complicated entanglements as Bond ...
“Bond. James Bond.” And, with that smooth delivery, a catchphrase was born. Dr. No is filled with so many memorable moments - Ursula Andress emerging from the sea with her conch shells, the back-and-forth between Bond and Dr. No about their views on power and world relations, the ruthless ...
Tom Cruise returns – one last time – as Ethan Hunt in Mission: Impossible - The Final Reckoning, the adrenaline-charged finale to a franchise defined by its stunning stunts and high-stakes adventures. While most of the things that have made the franchise what it is over ...
Tarantino has certainly afforded us some classic auteur fair over the years, disparate in tone, in subject and in setting, but he always delivers something uniquely him and uniquely memorable. Of all his classics, Kill Bill is the one I frequently revisit. His batshit crazy modernist ronin tale of The Bride (Uma Thurman) ...
Don’t let the words “based on a short story by Stephen King” on marketing materials for The Life of Chuck fool you. It is not a horror movie. Well, the film’s third act, which, confusingly, opens the film, does feature a pretty harrowing depiction of the end of the world ...
Tarantino has certainly afforded us some classic auteur fair over the years, disparate in tone, in subject and in setting, but he always delivers something uniquely him and uniquely memorable. Of all his classics, Kill Bill is the one I frequently revisit. His batshit crazy modernist ronin tale of The Bride (Uma Thurman) ...
Rick Rosenthal's Halloween II isn’t the best release in the series but, with its workmanlike earnestness, the minor dip in glossy quality isn’t a complete undoing. It holds up better than most slasher sequels. Besides, measuring the original release both in reception and its critical analysis, the drop ...
BADass SINema Unearthed - Where we dig up blu-rays of the wild, weird, and wonderfully wicked world of classic grindhouse cinema. Celebrates the raw energy and unapologetic style of vintage exploitation films — from the slick swagger of Blaxploitation and the lurid allure of sexploitation to the gnarly thrills of monster mayhem and cosmic horror.
Chop Socky Cinema is your go-to corner for all things martial arts on screen—from high-flying kung fu classics to modern bone-crunching brawlers. We dive into the legends, the hidden gems, and the genre-defining moments that shaped martial arts cinema.
Reel Classics celebrates the golden age of cinema, when shadows danced across silver screens and stories were told in black and white. This section revisits timeless masterpieces, legendary stars, and the directors who shaped film history. From noir thrillers to screwball comedies, Reel Classics explores how these cinematic treasures continue to inspire filmmakers and captivate audiences today.
Kaiju Korner is your ultimate destination for everything colossal and creature-filled. We explore the wild, wonderful world of kaiju cinema—spotlighting both classic monster epics and today’s thrilling new entries. From Godzilla and Gamera to modern reimaginings and global giants, Kaiju Korner dives deep into the history, cultural impact, and sheer spectacle of giant monster films.
Whether you’re a lifelong fan or a curious newcomer, this is where titans clash, cities crumble, and cinematic legends roar to life—one stomp at a time.
Monster Mayhem is your go-to destination for all things monstrous and menacing. We will sink our claws into the world of classic creature features, celebrating the timeless terror of cinema’s most iconic beasts.
From Universal’s legendary monsters to B-movie behemoths and international kaiju, Monster Mayhem explores the history, artistry, and cultural impact of the films that made us fear the dark. Expect deep dives, behind-the-scenes stories, retrospectives, and rankings that resurrect the giants of genre filmmaking.
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