There is something incredibly haunting about Scott McGehee and David Siegel’s feature-length debut. Shot in black-and-white and filmed in and around the Phoenix area, Suture is a neo-film noir examination into a person’s identity. What makes a person know themselves? ...
Doctor Mordrid: Master of the Unknown is not a very good movie. Even on our pint scale of beer it earns the lowest ranking possible. It’s just lazy, lazy filmmaking on a project that, had there been a bit more effort put into its script and, well, everyone involved, could ...
Centron Corporation. You’re probably more familiar with their output then you are with their name. Housed in Lawrence, Kansas, this is the production company that supplied school districts across the United States with hundreds of educational films once viewed via film ...
With a ceremonial crashing of cymbals, Bernard Herrmann’s thunderous score – completely without the use of strings - kicks off the drama and stop-motion wonder in Jason and the Argonauts. Directed by Don Chaffey (of Pete’s Dragon and One Million Years B.C. fame) ...
Thank you, Scream Factory for this updated treat! Operating as neither a sequel to or a part of George A. Romero’s Zombie series, The Return of the Living Dead doesn’t really profess to be much of anything…except a hell of a lot of gory fun. That doesn’t...
William Castle never met a gimmick he didn’t like. Known for filling theaters with anxious audiences, his gimmicks, whether they be 13 Ghosts’ special Dr. Zorba ghost viewer or the auditioning of girls from different countries to be in 13 Frightened Girls, he knew how to sell ...
I am sure there are some people involved in director Pierre De Moro’s Hellhole that wish the film did not still exist. The truth is that the cinematic sleaze contained in this flick almost didn’t survive the ravages of time. Culled together from the best sources available, Scream ...
Released in 1973 as the bottom-half of a double feature, The Boy Who Cried Werewolf never could match wits with its running mate, Sssssss. Both were creature features. Both were low budget offerings. Both were weird enough, yet cult filmmaker Nathan Juran (Attack ...
Comedian Rudy Ray Moore (Dolemite & The Human Tornado) came into this world as a 10-year-old boy ready for battle. Wearing diapers and beating the white doctor’s ass who delivered him (and then his father for “keeping him up at night”) is certainly a hell of a way to ...
Now, THIS shit is bananas. While I’m sure Gwen Stefani did not have Hardcore Henry – or anything like it – in mind when she penned the lyrics to her song, the chorus fits in describing almost EVERY element of the action flick. Produced by Wanted’s Timur Bekmambetov ...
“Can you still do the things with your eyes? You’re not crazy if you can still do the thing with your eyes.” I will NEVER forget the first time I saw Philip Kaufman’s Invasion of the Body Snatchers. I wouldn’t go outside in the rain for weeks afterwards thanks to the opening ...
To this day, The Adventures of Bukaroo Banzai remains one helluva wild ride. There is no other film that quite matches its new wave swagger. Nothing comes close to its style or its wit and, while a complete product of its time, the film has remained relatively ageless due ...
Microwave Massacre is the type of low budget horror-comedy that few have patience for. It’s slapped together from long first takes (because the producers had no money to waste) and, as the opening credits spell out (complete with chikka-wah-wah porn-styled tunes ...
Shelley Winters unhinged is some scary-ass shit. And that’s a fact. Whoever Slew Auntie Roo? presents the actress as a civilized AND extremely wicked woman who longs to be reunited with her dearly departed daughter. Now before you get all sentimental (because, you ...
Embracing a joyously retro-generated vibe of all things bursting with rainbows, unicorns, NES, comic books, and Michael Ironside, Turbo Kid laser blasts its way onto blu-ray with the single mission to – as the late Rowdy Roddy Piper once famously adlibbed – "kick ass and chew ...
BADass SINema Unearthed - Where we dive into the wild, weird, and wonderfully wicked world of classic grindhouse cinema. We celebrate the raw energy and unapologetic style of vintage exploitation films — from the slick swagger of Blaxploitation and the lurid allure of sexploitation to the gnarly thrills of monster mayhem and cosmic horror.
Chop Socky Cinema is your go-to corner for all things martial arts on screen—from high-flying kung fu classics to modern bone-crunching brawlers. We dive into the legends, the hidden gems, and the genre-defining moments that shaped martial arts cinema.
Reel Classics celebrates the golden age of cinema, when shadows danced across silver screens and stories were told in black and white. This section revisits timeless masterpieces, legendary stars, and the directors who shaped film history. From noir thrillers to screwball comedies, Reel Classics explores how these cinematic treasures continue to inspire filmmakers and captivate audiences today.

Kaiju Korner is your ultimate destination for everything colossal and creature-filled. We explore the wild, wonderful world of kaiju cinema—spotlighting both classic monster epics and today’s thrilling new entries. From Godzilla and Gamera to modern reimaginings and global giants, Kaiju Korner dives deep into the history, cultural impact, and sheer spectacle of giant monster films.
Whether you’re a lifelong fan or a curious newcomer, this is where titans clash, cities crumble, and cinematic legends roar to life—one stomp at a time.

Monster Mayhem is your go-to destination for all things monstrous and menacing. We will sink our claws into the world of classic creature features, celebrating the timeless terror of cinema’s most iconic beasts.
From Universal’s legendary monsters to B-movie behemoths and international kaiju, Monster Mayhem explores the history, artistry, and cultural impact of the films that made us fear the dark. Expect deep dives, behind-the-scenes stories, retrospectives, and rankings that resurrect the giants of genre filmmaking.

Welcome to Christmas at the Cinema, where twinkly lights glow a little brighter, cocoa is always implied, and emotional subtlety has politely gone on holiday.
This is our cozy corner for celebrating the sappy, campy, utterly irresistible world of Hallmark-style Christmas movies — where snow falls on cue, careers are abandoned for small towns, and love arrives right on schedule. The season’s sappiest cinematic traditions start here.