Fresh from the success of 1978’s Halloween, director John Carpenter returns to horror and its star Jamie Lee Curtis for his follow-up feature film. The Fog is a supernatural horror flick that is heavy on atmosphere and creativity and, in spite ...
Cheese never gets as gooey as it does in William Sachs’ bloody awful The Incredible Melting Man. Originally intended to be a spoof of horror films until money hungry producers – realizing there’s more money to be made in a serious horror film - got a hold ...
Released years before the Alan Moore revisions of DC Comics Universe’s environmentally concerned soul crusader, Wes Craven’s Swamp Thing isn’t so much a superhero movie in the traditional sense as it is a creature feature for the camp crowd of matinee ...
Cy Roth’s Fire Maidens of Outer Space from 1956 is 78-minutes of black-and-white science fiction B-movie cheese. It should be noted that most of that cheese has spoiled. While this isn’t the worse film ever made, it is a close contender. Having admitted that the film ...
Originally inspired by spacey Mormon theology concerning a planet named Kolob and the council of twelve, the original Battlestar Galactica movie (but really just the first three episodes of the series cut into a motion picture) arrives on Blu-ray this month courtesy ...
A Boy and His Dog is the perfect post-apocalyptic movie. The dark humor from science fiction author Harlan Ellison (writer for Star Trek, The Alfred Hitchcock Hour, and The Outer Limits) is striking and solid and, in spite of this being a short story adaptation, largely ...
With a billion dollar franchise like Twilight to her name it was inevitable that Stephanie Meyer’s other works would quickly find their way to the big screen. According to those in the know, Meyer quickly penned this alien invasion story after completing Eclipse, and ...
The no CGI mandate continues as Adam Green’s uber-bloody Hatchet series comes up with its third and freshest entry. Directed by BJ McDonnell, Hatchet 3 begins precisely where the second one ended – with actress Danielle Harris butchering the main antagonist ...
One of the few filmic anomalies in the classic era of the long-running Doctor Who series has finally received the upgrade it so richly deserves. Jon Pertwee's first outing as the Doctor is the first time the adventures of the Time Lord were shown in color. That in itself ...
Loosely based on the real life Canadian manhunt for `Mad Trapper' Albert Johnson, director Peter Hunt (On Her Majesty’s Secret Service) proves once again to be stellar behind the camera as Death Hunt belongs in its own genre. Is it completely action-filled? ....
A slimmed-down (or well-concealed) John Travolta plays a cold-blooded Serbian war criminal (wait, what?) and Robert De Niro forgets his southern accent over Jaeger shots in director Mark Steven Johnson’s Killing Season. This combination of talent should have worked ...
Once upon a very brief time, Dolph Lundgren was being groomed to be the next badass superstar. And then Hollywood woke up, realizing he was already a parody. Made at the very peak of his brief rise to superstar fame here in America, Dark Angel – now considered ...
Oh, but no. Just no. Having no idea what to expect from a movie entitled Pawn Shop Chronicles but sporting an interesting cast, I thought I would give it a fair shake. Unfortunately, that’s where my fairness ends. This redneck attempt at Pulp Fiction is neither ...
I’m being generous with a 3 star review for Larry Cohen’s flawed movie, I know. Kick dust at me. Go ahead. The gimme-my-paycheck acting of David Carradine is terrible; the court scenes are grueling at best; the twitching of Michael Moriarty, the dopiness ...
One does not watch Voices From Beyond in a traditional sense. You don’t track it, you don’t solve it—you submit to it. It drifts, it murmurs, it circles back on itself like a half-remembered nightmare. This is ...
You want a double feature? This isn’t a double feature—this is a two-fisted, beer-drenched riot that kicks your door in, raids your fridge, and leaves boot prints on your couch. The Black Panther of Shaolin (aka Bamboo Trap) comes ...
The girl doesn’t just vomit—she ruptures, liquefies, becomes a collapsing system of flesh as her body turns traitor in slow motion, a geyser of bile that keeps coming long past reason until her insides decide they’d rather be outside. It’s obscene, hypnotic, and weirdly funny if your sense of ...
The doors groan open like they’ve been waiting years to scream, and the wind shoves a curtain of dust into the room ahead of them. The gang spills inside—leather, denim, and scavenged armor—laughing too loudly for ...
YOU’RE NOT FROM AROUND HERE, ARE YOU?” The woods don’t whisper—they detonate. A streak of alien fire rips open the night sky and slams into Earth like God dropped a lit match on gasoline. Trees ...
The Psychedelic Priest feels less like a movie and more like something half-remembered after a long, dehydrated drive—sunburnt, drifting, and just a little unreal at the edges. Where The ...
There’s a particular kind of cinematic filth that doesn’t come from gore or shock, but from texture—from the feeling that everything on screen is coated in a thin film of sweat, nicotine, and bad ...
There are films that influence horror, films that shape horror, and then there’s Blood Feast, which doesn’t so much “shape” anything as it kicks down the door of the American cinematic psyche wearing a butcher’s apron and a grin that says, “You paid 75 cents for this, sucker ...
If you’re going into Embalmer expecting restraint, you picked the wrong slab. This thing plays like a late-night fever dream stitched together with formaldehyde fumes and bad decisions—and honestly, that’s ...
She was wronged. She was chosen. And she will have her revenge . . . but Red Sonja didn’t come out of nowhere. The film, warts and all, exists because Hollywood in the early ’80s was chasing the success of Conan the Barbarian, and producer ...
Hold onto your butts! The first time you see the jellyfish man rise from the swamp in Sting of Death, it doesn’t feel like a monster reveal so much as a cosmic clerical error—like the Everglades accidentally burped up a creature it ...
Death Curse of Tartu is the kind of regional horror oddity that feels like it was shot during a long weekend when the Everglades were in a bad mood. It opens with the promise of ancient curses and archaeological intrigue, but ...
Some movies are good. Some movies are bad. And then there are movies like She-Devils on Wheels — a roaring, leather-clad fever dream that seems less like a planned ...
There are movies about vampires, and then there are movies that feel like a vampire bit into a bottle of cheap red wine, staggered through a Florida strip mall, and accidentally filmed a revenge ...
Some films whisper their intentions, films that seduce you with craft, and then there’s Scum of the Earth!, which grabs you by the collar like a chain‑smoking uncle at a family reunion and hisses, “Kid, lemme tell you how the world really works.” This is Herschell Gordon Lewis before the gore geysers ...
There are films that influence horror, films that shape horror, and then there’s Blood Feast, which doesn’t so much “shape” anything as it kicks down the door of the American cinematic psyche wearing a butcher’s apron and a grin that says, “You paid 75 cents for this, sucker ...
BADass SINema Unearthed - Where we dive into the wild, weird, and wonderfully wicked world of classic grindhouse cinema. We celebrate the raw energy and unapologetic style of vintage exploitation films — from the slick swagger of Blaxploitation and the lurid allure of sexploitation to the gnarly thrills of monster mayhem and cosmic horror.
Chop Socky Cinema is your go-to corner for all things martial arts on screen—from high-flying kung fu classics to modern bone-crunching brawlers. We dive into the legends, the hidden gems, and the genre-defining moments that shaped martial arts cinema.
Reel Classics celebrates the golden age of cinema, when shadows danced across silver screens and stories were told in black and white. This section revisits timeless masterpieces, legendary stars, and the directors who shaped film history. From noir thrillers to screwball comedies, Reel Classics explores how these cinematic treasures continue to inspire filmmakers and captivate audiences today.
Kaiju Korner is your ultimate destination for everything colossal and creature-filled. We explore the wild, wonderful world of kaiju cinema—spotlighting both classic monster epics and today’s thrilling new entries. From Godzilla and Gamera to modern reimaginings and global giants, Kaiju Korner dives deep into the history, cultural impact, and sheer spectacle of giant monster films.
Whether you’re a lifelong fan or a curious newcomer, this is where titans clash, cities crumble, and cinematic legends roar to life—one stomp at a time.
Monster Mayhem is your go-to destination for all things monstrous and menacing. We will sink our claws into the world of classic creature features, celebrating the timeless terror of cinema’s most iconic beasts.
From Universal’s legendary monsters to B-movie behemoths and international kaiju, Monster Mayhem explores the history, artistry, and cultural impact of the films that made us fear the dark. Expect deep dives, behind-the-scenes stories, retrospectives, and rankings that resurrect the giants of genre filmmaking.
Welcome to Christmas at the Cinema, where twinkly lights glow a little brighter, cocoa is always implied, and emotional subtlety has politely gone on holiday.
This is our cozy corner for celebrating the sappy, campy, utterly irresistible world of Hallmark-style Christmas movies — where snow falls on cue, careers are abandoned for small towns, and love arrives right on schedule. The season’s sappiest cinematic traditions start here.
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