Welcome to the Void. Where riffs don’t just hit—they fracture space. Where rhythm mutates into something almost sentient. Where melody flickers like distant signals from somewhere you’re not sure you can return from. Celluloid Dissonance is for listeners who don’t just hear music—they see it.
I’ve replayed Ingested’s Denigration an unhealthy amount of times now, and I genuinely can’t tell how much of this album is “actually incredible” and how much is me hearing the sound of a band trying not to completely ...
Read more: MUSIC - Dangerous Again: Ingested’s Denigration (2026)
Doodswens just dropped the best black metal record of the year and it’s not even fucking close to being sideswapped. This wild creature of raw Dutch black metal bleeds at extreme volumes throughout all 7 tracks.
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Read more: MUSIC - The Deepest Pit: Doodswens’ Doodswens (2026)
Echoes is the second full-length from Ethereal Darkness, a melodic death/doom metal band from Belgium. Six tracks. Just over an hour. Atmospheric melodic death/doom buried under grief, exhaustion, loneliness, and that numb ...
Read more: MUSIC - No Light Waiting: Ethereal Darkness’ Echoes (2026)
Slaughterday’s Dread Emperor sounds less like a new release and more like something somebody accidentally unearthed from a flooded basement rehearsal room in 1992. The whole album has this ...
Read more: Ugly Grooves Amid Graveyards: Slaughterday’s Dread Emperor (2026)
Iron Maiden once asked Can I Play With Madness? Stench of Sorcery answered with a battlefield full of corpses and a hard fucking yes. ...
Read more: Castle Metal: Stench of Sorcery’s The Palegold Menace (2026)
Fields of Elysium’s In Ancient Contemplation sounds alive in a way most technical death metal records don’t anymore. Not polished-alive either. More like a band sweating through complicated ideas in a cramped room ...
Read more: Wet Amp Heat: Fields of Elysium’s In Ancient Contemplation (2019)
Some albums feel written. Fading Aeon feels exhumed. Dragged out of frozen dirt with broken fingernails and lungs full of black water. Fading Aeon don't sound interested in being “modern.” Thank Christ. No plastic-core gloss ...
Read more: Dragged Out of Frozen Dirt : Fading Aeon’s Self-Titled EP (2026)
I’ve been following The Voynich Code for a while now, and Insomnia is still the record I keep going back to the most. Not because it’s their heaviest album or their most technical one. It just feels the most locked ...
The Dormant Darkness sounds like one of those albums a guy makes when he's more obsessed with heavy music than just about anything else. As soon as the record starts, Buried Realm comes out swinging ...
Read more: Something Beyond: Buried Realm’s The Dormant Darkness (2025)
Seeking cosmic technical death metal for your earholes? Search no more. Mithras already solved the problem back in 2016 with On Strange Loops — a record that doesn’t just play like a collection of songs, but ...
Read more: When Death Metal Reaches the Stars: Mithras’ On Strange Loops (2016)