On again, off again. In love, out of love. Going back to school, starting a new job. Everything is fluid and everything is changing in the whimsical and lustful drama from French director Jacques Audiard. Capturing the residential district of Les Olympiades in beautiful black and white photography ...
To put it bluntly, Troll 2 isn’t just a movie; it’s a rite of passage, a cosmic joke, a Gen‑X fever dream preserved forever in the amber of cult cinema. And Vinegar Syndrome knows it . . . which is why their reissue of this cult classic is a must-own. ...
The thing about Howling II: Your Sister Is a Werewolf is that it doesn’t just feel like a sequel—it feels like a dare. A late‑night cable dare, the kind you accepted at 1:47 a.m. in 1989 because the remote was across the room and you were too exhausted, too curious, or too spiritually compromised to change ...
From the back alleys of independent publishing, Kevin Eastman and Peter Laird’s Teenage Mutant Ninja Turtles quickly transformed from indie-darling to 1990s mega hit and evergreen ubiquity in the blink of an eye. There is always a comic, a cartoon, tv show, action figure, t-shirt ...
Let’s get this out of the way: A Shot in the Dark is what happens when a movie trusts talent, timing, and pure comedic anarchy more than test screenings and focus groups. Directed by Blake Edwards, this thing runs on precision, patience, and the radical belief that comedy should build, not ...
Teenage Gang Debs is exactly the kind of cinematic trash‑treasure that Gen‑X latchkey kids like us used to stumble across on late‑night UHF channels when the antenna was bent and the world felt just a little bit dangerous. The American Genre Film Archive’s Blu‑ray rescue mission only confirms ...
1990’s Misery is one of the finest book to screen King adaptations of all time, in my humble opinion. While this new dearth of King adaptions continues unabated with varying degrees of success or abject failure (*cough: The Stand), no one has (as yet) touched it, or even broached remaking it ...
Ninja, kick the damn rabbit! Arrow didn’t just restore these movies—they ambushed my adulthood and reminded me I’m still emotionally weak for guys in rubber suits. To put it bluntly, the Teenage Mutant Ninja Turtles movies were never perfect, but Arrow’s release lands so hard it retroactively ...
Pee‑wee Herman cannonballing into that absurdly oversized pool at Francis’ house (er, mansion) is exactly the energy Criterion leans into with their release of Pee‑wee’s Big Adventure—big, splashy, unapologetically weird, and so committed to its own vibe that you either surrender to the joy or ...
Okay, so 2003 horror was… how do we put this kindly… the cinematic equivalent of a mall fountain. Everything was glossy, safe, and engineered to offend absolutely no one. Studios were terrified of real gore, real grime, or anything that smelled like the weird, dangerous VHS energy Gen X grew up ...
“Big bada boom.” There’s this moment early on—Korben Dallas slumped in his cramped apartment, cigarette filter glowing blue, the city outside stacked like a cosmic junk drawer—that tells you everything about The Fifth Element before the plot even kicks in. It’s the way the camera lingers on the ...
If you want to understand why Lethal Weapon still hits like a shot of cinematic espresso, start with the Christmas‑tree‑lot shootout. It’s pure 1987 chaos: Mel Gibson’s Riggs, all hair and unmedicated intensity, trying to buy cocaine from guys who look like they were cast directly from a Whitesnake ...
Okay, so The Amazing Bulk is honestly one of the weirdest movies I have ever seen in my entire life, and I’ve watched the original Super Mario Bros movie like 5 times. This movie was released in 2012 and is supposed to be similar to The Incredible Hulk, but if the Hulk ...
Bob Clark’s Black Christmas isn’t just a horror film—it’s a masterclass in suspense, dark humor, and pure holiday terror. Critics at the time may have punted it around, but the joke’s on them: this Canadian classic helped define the slasher genre and still terrifies audiences today. Thanks to ...
Get ready to get toxic. The janitor who fell into a vat of radioactive sludge is back in glorious 4K — uglier, gloopier, and nastier than ever. Four films of mutant mayhem, over-the-top gore, and darkly hilarious chaos await. Includes the original 1984 classic, the slapstick-stuffed sequels, and Citizen ...
Monsters are the good guys? Yep. Cilve Barker flips horror on its head in this cult classic. David Cronenberg is terrifying, Danny Elfman’s score is epic, and Midian is the freak‑friendly underground city you wish you could move into. Grab some pizza, crank the VCR, and root for the outsiders. Warning: you ...
Back in ’93, you didn’t just watch Jason Goes to Hell — you walked out of that theater and immediately started arguing in the parking lot like it was life or death. One buddy swore the slug‑demon body‑hopping thing was genius, another was yelling that if Jason isn’t in a hockey mask, it’s not ...
1990’s Misery is one of the finest book to screen King adaptations of all time, in my humble opinion. While this new dearth of King adaptions continues unabated with varying degrees of success or abject failure (*cough: The Stand), no one has (as yet) touched it, or even broached remaking it ...
Primal terror has never looked this good before. Joe Dante’s The Howling is back from the woods, cleaned up, sharpened, and ready to bite again. You could argue it’s the most important werewolf movie ever made — and you wouldn’t be wrong. Before Gremlins made him a household name, Dante ...
It’s like Scooby-Doo met David Bowie in a haunted house and decided to throw a burlesque show. There are B-movies, and then there’s The Rocky Horror Picture Show—a glitter-drenched fever dream that crawled out of a sci-fi graveyard, stole a corset, and never looked back. And now - The ...
Because Marvel won’t make movies this gross. So, The Toxic Avenger is back—because apparently we’ve run out of superheroes who can see out of both eyes and don’t leak glowing sludge. The original was the crown jewel of late-night cable rot, a glorious dumpster fire from the fine folks at Troma ...
Finally, the long wait is over. Angela Baker is coming home … again. There are very few writers who truly understand how comedy can support horror and vice versa in the filmmaking community. Fritz Gordon, the screenwriter of Sleepaway Camp II: Unhappy Campers and Sleepaway Camp ...
I mean, truly there are 3 stars in this plastic-wrapped corpse collection of a whodunnit if only for the vibrant crash-zoom opening which features Edwige Fenech dancing in her golden bra as if at a European Go-Go with a vibrant energy few women can match ...
Who’d have thought that vikings in ridiculous costumes could be this endearing?! Certainly no one I know . . . especially if you just gradually tune in and out of this western-inspired adventure. Throw in some shoot-outs (by way of knives) and a showdown in the sunset and you have director Mario Bava’s nod ...
If the opening moments of Kill, Baby, Kill aren’t enough to set you on edge, then I suppose nothing else in Mario Bava’s bloody good movie will either. Move along, kid. There’s literally nothing for YOU to see here if you remain unaffected by its suspense. This film, celebrated immediately upon its release ...
Mario Bava’s thriller, The Girl Who Knew Too Much, is really where the Italian giallo began. Yes, it is borrowing heavily from Hitchcock But there is a breathless agility to its overall mystery that operates a bit more fantastical than Hitch dared as a young woman (Letícia Román), while vacationing ...
I’m not going to mince words here. Truck Turner is one seriously badass flick. It is the type of B-movie that gets me so excited for the unlimited possibilities of low budget cinema. It is sooo much better than Shaft and the countless other Blaxploitation films offered up in the wake of 1971’s Sweet ...
Directed by Mario Bava (Planet of Vampires), Black Sabbath remains an influential horror film. It is, after all, where Tony Iommi, Geezer Butler, Bill Ward, and Ozzy Osbourne (who all marveled at the fact that people actually paid money only to leave theaters that scared) got their band name from. But one quick ...
Originally titled The Mask of Satan, Mario Bava’s feature length debut, released here in the United States as Black Sunday, was a gothic-sized hit for Roger Corman’s American International Pictures. The hype was all about its shocking images. While tame when compared to today’s horror, Bava’s film ...
Crime is a disease. He is STILL the cure. That’s right, Marion “Cobra” Cobretti is back on the streets! This time in stunning 4K thanks to Arrow Video, who have remastered and restored this 1980’s classic from the original 35mm negative and given it a sun-kissed audio uptick as well! ...
BADass SINema Unearthed - Where we dive into the wild, weird, and wonderfully wicked world of classic grindhouse cinema. We celebrate the raw energy and unapologetic style of vintage exploitation films — from the slick swagger of Blaxploitation and the lurid allure of sexploitation to the gnarly thrills of monster mayhem and cosmic horror.
Chop Socky Cinema is your go-to corner for all things martial arts on screen—from high-flying kung fu classics to modern bone-crunching brawlers. We dive into the legends, the hidden gems, and the genre-defining moments that shaped martial arts cinema.
Reel Classics celebrates the golden age of cinema, when shadows danced across silver screens and stories were told in black and white. This section revisits timeless masterpieces, legendary stars, and the directors who shaped film history. From noir thrillers to screwball comedies, Reel Classics explores how these cinematic treasures continue to inspire filmmakers and captivate audiences today.

Kaiju Korner is your ultimate destination for everything colossal and creature-filled. We explore the wild, wonderful world of kaiju cinema—spotlighting both classic monster epics and today’s thrilling new entries. From Godzilla and Gamera to modern reimaginings and global giants, Kaiju Korner dives deep into the history, cultural impact, and sheer spectacle of giant monster films.
Whether you’re a lifelong fan or a curious newcomer, this is where titans clash, cities crumble, and cinematic legends roar to life—one stomp at a time.

Monster Mayhem is your go-to destination for all things monstrous and menacing. We will sink our claws into the world of classic creature features, celebrating the timeless terror of cinema’s most iconic beasts.
From Universal’s legendary monsters to B-movie behemoths and international kaiju, Monster Mayhem explores the history, artistry, and cultural impact of the films that made us fear the dark. Expect deep dives, behind-the-scenes stories, retrospectives, and rankings that resurrect the giants of genre filmmaking.

Welcome to Christmas at the Cinema, where twinkly lights glow a little brighter, cocoa is always implied, and emotional subtlety has politely gone on holiday.
This is our cozy corner for celebrating the sappy, campy, utterly irresistible world of Hallmark-style Christmas movies — where snow falls on cue, careers are abandoned for small towns, and love arrives right on schedule. The season’s sappiest cinematic traditions start here.