There is something inherently terrifying about childbirth, a violent biological miracle in which the human body stretches, tears, bleeds, and somehow produces life. Raymond Creamer’s Goody Goody understands this unpleasant truth and promptly shoves both hands into it. Set inside an isolated cabin during a raging blizzard, the film traps a heavily pregnant Goody (Samantha Robinson) alongside her husband Jayson (Colby Hollman), his sister Candace (Zoe Renee), and increasingly concerned midwife Sarah (Colleen Foy). Goody is determined to have the natural home birth she planned, no matter what her body, the weather, or common fucking sense might have to say about it.
The first half is a masterfully uncomfortable exercise in watching supposedly enlightened people weaponize positivity. Goody and Jayson have built an immaculately curated bohemian existence filled with herbal tea, affirmations, and enough smug self-assurance to choke a doula. Every concern is met with another calming phrase, every warning dismissed as negative energy, and every increasingly obvious sign that something is terribly wrong gets buried beneath the insistence that everything is beautiful. Creamer lets the tension crawl beneath that performative tranquility until the entire cabin feels like a pressure cooker decorated by people who own too many crystals.
Then Goody Goody rips the fucking lid off. What begins as an intimate psychological drama mutates into a magnificently unhinged eruption of blood, screaming, demonic possession, and slippery tentacled nastiness. The transition is abrupt enough to cause whiplash, but there is something wonderfully audacious about watching the film abandon restraint and plunge headfirst into its own infernal birth canal. Creamer doesn’t merely escalate the situation; he drenches it in amniotic fluid, invites something ancient and horny to the delivery, and lets all hell squirm loose across the floor.
Robinson throws herself into the role with ferocious physical commitment, transforming Goody’s stubborn determination into something increasingly primal and frightening. Foy provides the film’s necessary emotional anchor as Sarah, the one person in the room who recognizes that good intentions are not a substitute for medical reality. Renee is equally effective as Candace, whose aggressive confidence adds another layer of volatility to an already combustible situation. Not every character decision makes sense once the demonic shit hits the birthing pool, but the performances remain convincing even when the story starts huffing incense and speaking in tongues.
Goody Goody is messy, excessive, frequently disgusting, and completely uninterested in providing anyone with a comforting viewing experience. Its grounded first half and batshit supernatural finale do not always fit together smoothly, but that tonal rupture also gives the film its filthy little personality. This is body horror at its most invasive: wet, bloody, claustrophobic, and determined to remind us that creating life has never been the clean, glowing experience presented in maternity commercials. Sometimes birth is beautiful. Sometimes it tears open a doorway to Hell and sprays the walls on the way out.
Goody Goody streams on Shudder beginning on September 18th!
MPAA Rating: Unrated.
Runtime: 80 mins
Director: Raymond Creamer
Writer: Raymond Creamer
Cast: Samantha Robinson; Colleen Foy; Zoe Renee
Genre: Horror | Thriller
Tagline: Push...
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Distributor: Shudder
Official Site:
Release Date: September 18, 2026
DVD/Blu-ray Release Date:
Synopsis: A home birth turns terribly wrong when complications arise during a raging blizzard.
