Loron Hays

Severin Entertainment, having recently released two of Jess Franco's more renowned films in High Definition, continues their horror exploitation roll out with the release of one of Barbara Steele’s mo...
Hailing all the way from Iceland, Z for Zachariah is a haunting post-apocalyptic thriller that, by focusing on the very human elements of selfishness and survival, breaks new ground in a science ficti...
Embracing a joyously retro-generated vibe of all things bursting with rainbows, unicorns, NES, comic books, and Michael Ironside, Turbo Kid laser blasts its way into theaters and On Demand markets thi...
Madman. Daredevil. Cultural icon. Con artist. Whatever your view is of Robert Craig Knievel, Jeff Tremaine and Johnny Knoxville’s Dickhouse production of Being Evel presents – for the very first time...
Occurring in an alternative world in which magic was once fact in British history, this seven-part mini-series from the BBC recounts the story of how real magic made its glorious return into the world...
Fuck the great outdoors, man. I’m staying inside forever. Cub , the debut feature of Flemish filmmaker Jonas Govaerts, is as violent and as desperate as an overnight Cub Scout camping trip should NEVE...
Full of junked-up monochrome monitors and junky dot matrix printers, Air is a tightly wound film that operates far better as a throwback to another era of science fiction films than as a modern statem...
Written and directed by John McTiernan, Nomads is a film whose reputation as a disappointing film suffers solely because it was released way ahead of its time. Print critics simply killed the film wit...
A professor, haunted by his own words of disbelief in the supernatural, runs across an empty beach as the surf crashes violently against a steady shore of rock and sand. He is frantic in his search fo...
In the opening scene of Final Girl , a little girl talks rather openly about herself and her feelings, acknowledging that both her mother and father are dead. This fact, disturbingly enough, does not...
While uneven to a fault, Guy Ritchie’s spin on The Man From U.N.C.L.E. , originally an American television series broadcast on NBC from 1964-1968, is easily the best thing Warner Bros has put out this...
The Monster That Challenged the World might not be the smartest creature feature from the heyday of the atomic age but it is nonetheless enjoyable. It opens with a peaceful shot of what is supposed to...
Grateful Dead. Janis Joplin. The Band. Buddy Guy. What do they all have in common? Well, other than being fantastic rock bands, artists, and live performers, they once upon a time in 1970 shared the s...
I think it might just be time to pass Ash’s 12 gauge, double barrel Remington shotgun along to the next auteurs of horror. Yes, Wyrmwood: Road of the Dead is that impressive of a debut from an entirel...
Produced by Roger Corman in what amounts to a marketing miracle, Howard R. Cohen’s Space Raiders remains a cheesy kid’s tale through space as a ragged band of pirates mistakenly abduct a small boy and...